![]() ![]() Could we see a huge box set of recordings from that tour? “That’s going to be up to Sony,” says the source. ![]() Next year, meanwhile, is the 50th anniversary of Planet Waves and Dylan’s reunion tour with the Band. That has led to fascinating Dylan releases like The Cutting Edge 1965–1966, which documented the creation of Bringing It All Back Home, Highway 61 Revisited, and Blonde on Blonde - and the source says that a copyright-protection release for the 1973 Pat Garrett and Billy the Kid soundtrack sessions is likely coming at some point this year. The time to look back on it will be many years from now.”Ī quirk in European copyright law that brings recordings into the public domain if they aren’t released after 50 years has forced Dylan (and many of his peers) to clean out their vaults at the end of every year. “The Never Ending Tour, which it was never really called, is still going,” says the source. The Dylan vault is overflowing with tapes from these years, but don’t expect to hear any of them any time soon. One seemingly obvious focus of a future Bootleg Series box set is the Never Ending Tour, which kicked off in 1988 and is still running today after more than 3,000 concerts. ![]() “We’ll probably get to that ,” says the source. Several of these recordings have circulated as bootlegs for years, but Dylan’s team also have some in the vault that nobody has ever heard. One entry that’s been swirling around for several years centers around Dylan’s early-Sixties days on the coffee house circuit before signing with Columbia Records. But the Bootleg Series is definitely winding down.” Let’s see how the market receives this one. “We have no idea what’s next,” says the source. The newest set, Fragments - Time Out of Mind Sessions 1996-1997, is the 17th volume, and a source close to the Bob Dylan camp says we’re unlikely to see many more. Some of the releases in the series spotlight key concerts from tours like his 1966 European run with the Hawks or the 1975 Rolling Thunder Revue, but most of them focus on albums - both loved and unloved - to let listeners in on Dylan’s creative process and show just how much stunning material he discards along the way. Over the past 32 years, Bob Dylan’s Bootleg Series has proved that the singer’s studio albums represent just a tiny fraction of his musical output. ![]()
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